Suffering from a crippling memory loss ever since an accident at the age of six, Toshiaki finds new hope, and a new mystery, when he is visited by a girl from his own future.

Ishigami comes home from work and discovers his wife dead. Just then, he receives a phone call from his wife and falls in utter confusion. Unexplainable things keep happening as Ishigami struggles to find his wife. Gradually, Ishigami realizes all his memories are gone and finds himself acting like someone else. What is his true identity?

An introduction to the world of Sewu Dino which tells a tradition of 'Basuh Sedho'.

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Soon after entering a course called "The Psychology of Dream Analysis," Lillian discovers she has been having another person's dreams all her life.

Soon after entering a course called "The Psychology of Dream Analysis," Lillian discovers she has been having another person's dreams all her life.

Vanya and his stepsister Sonia have lived their entire lives in their family's farmhouse. While they stayed home to take care of their ailing parents, their sister Masha has been gallivanting around the world as a successful actress and movie star, leaving Vanya and Sonia to feel trapped and regretful. Their soothsayer/cleaning woman Cassandra keeps warning them about terrible things in the future, which include a sudden visit from Masha and her twenty-something boy toy Spike.

Vanya and his stepsister Sonia have lived their entire lives in their family's farmhouse. While they stayed home to take care of their ailing parents, their sister Masha has been gallivanting around the world as a successful actress and movie star, leaving Vanya and Sonia to feel trapped and regretful. Their soothsayer/cleaning woman Cassandra keeps warning them about terrible things in the future, which include a sudden visit from Masha and her twenty-something boy toy Spike.

当他的阴茎被鳄鱼咬掉时，塔兹求助于旺戈部落的魔法力量。

The agony and beauty of the creative process are explored in this reflective work, first inspired by a piano solo by Yo La Tengo’s Ira Kaplan, which reminds us that the act of creation can feel like “cracking the code in another dimension.”